Archive for the ‘philosophy’ Category

A Simple Tale

Wednesday, 19 January 2011

Some time within the last several weeks, I finally got around to reading The Secret Agent (1907), by Joseph Conrad. The novel is interesting for a number of reasons. One of those is that, as with Heller's later Catch-22, events are driven by the characters' unquestioned misunderstandings one of another, and by terrible narrowness of vision. (Unlike Catch-22, Conrad's book is not particularly humorous in its beginnings.) But what most struck me about The Secret Agent is that Conrad identified and unsparingly depicted the mental process that leads most who turn to state socialism to do so, and what essentially propels most of those who proceed on to left-wing anarchism to do that.

One of the characters of The Secret Agent is Stevie. Stevie is a low-functioning young man; operationally a person of very limited intelligence. He is also someone who is concerned — often overwhelmed with concern — about the fate of people and of beasts who seem to be ill-treated. Stevie's concern is illustrated at various points in the story, but it is in Chapter VIII that they begin to take political form.

Stevie's mother, over the objections of her daughter, has had herself moved to an alms-house; Stevie and his sister, Winnie Verloc, see their mother to her new home. The cab-man drives a much-abused horse to pull his carriage, and responds to Stevie's imploring that the horse not be whipped as if it were nearly incomprehensible. But, after the move has been effected, the cabbie tells Stevie that, however hard life may seem to be for the horse, it is harder still for the cabbie, who is a poor man with a family. Stevie is moved by this information. The driver departs.

Stevie is rejoined by his sister; they begin the journey homeward.

Before the doors of the public-house at the corner, where the profusion of gas-light reached the height of positive wickedness, a four-wheeled cab standing by the curbstone with no one on the box, seemed cast out into the gutter on account of irremediable decay. Mrs Verloc recognised the conveyance.[1] Its aspect was so profoundly lamentable, with such a perfection of grotesque misery and weirdness of macabre detail, as if it were the Cab of Death itself, that Mrs Verloc, with that ready compassion of a woman for a horse (when she is not sitting behind him), exclaimed vaguely:

Poor brute!

Hanging back suddenly, Stevie inflicted an arresting jerk upon his sister.

Poor! Poor! he ejaculated appreciatively. Cabman poor too. He told me himself.

The contemplation of the infirm and lonely steed overcame him. Jostled, but obstinate, he would remain there, trying to express the view newly opened to his sympathies of the human and equine misery in close association. But it was very difficult. Poor brute, poor people! was all he could repeat. It did not seem forcible enough, and he came to a stop with an angry splutter: Shame! Stevie was no master of phrases, and perhaps for that very reason his thoughts lacked clearness and precision. But he felt with greater completeness and some profundity. That little word contained all his sense of indignation and horror at one sort of wretchedness having to feed upon the anguish of the other—at the poor cabman beating the poor horse in the name, as it were, of his poor kids at home. And Stevie knew what it was to be beaten. He knew it from experience. It was a bad world. Bad! Bad!

Mrs Verloc, his only sister, guardian, and protector, could not pretend to such depths of insight. Moreover, she had not experienced the magic of the cabman’s eloquence. She was in the dark as to the inwardness of the word Shame. And she said placidly:

Come along, Stevie. You can’t help that.

The docile Stevie went along; but now he went along without pride, shamblingly, and muttering half words, and even words that would have been whole if they had not been made up of halves that did not belong to each other. It was as though he had been trying to fit all the words he could remember to his sentiments in order to get some sort of corresponding idea. And, as a matter of fact, he got it at last. He hung back to utter it at once.

Bad world for poor people.

Directly he had expressed that thought he became aware that it was familiar to him already in all its consequences. This circumstance strengthened his conviction immensely, but also augmented his indignation. Somebody, he felt, ought to be punished for it—punished with great severity. Being no sceptic, but a moral creature, he was in a manner at the mercy of his righteous passions.

Beastly! he added concisely.

It was clear to Mrs Verloc that he was greatly excited.

Nobody can help that, she said. Do come along. Is that the way you’re taking care of me?

Stevie mended his pace obediently. He prided himself on being a good brother. His morality, which was very complete, demanded that from him. Yet he was pained at the information imparted by his sister Winnie who was good. Nobody could help that! He came along gloomily, but presently he brightened up. Like the rest of mankind, perplexed by the mystery of the universe, he had his moments of consoling trust in the organised powers of the earth.

Police, he suggested confidently.

And there one has it. A great many of us would agree that the world is economically harder on many people than it ought to be. A great many of us would agree that society ought to do something about it. But the typical state socialist just unthinkingly grabs for the first social institution that comes to mind, the State; or, as Stevie puts it, police. There's no real thought to what other institutions might be more appropriate. If the point that we are talking about an institution that is first-and-foremost about violence is considered at all, there is little reflection on the question of whether and when violence is appropriate, unless that consideration is to rationalize the conclusion that violence should be used after the conclusion was already implictly embraced. But Stevie isn't drawn to wrestle with the a theory of what ought to be the limits of the State or of the use of violence:

The police aren’t for that, observed Mrs Verloc cursorily, hurrying on her way.

Stevie’s face lengthened considerably. He was thinking. The more intense his thinking, the slacker was the droop of his lower jaw.[2]

And it was with an aspect of hopeless vacancy that he gave up his intellectual enterprise.

Not for that? he mumbled, resigned but surprised. Not for that? He had formed for himself an ideal conception of the metropolitan police as a sort of benevolent institution for the suppression of evil. The notion of benevolence especially was very closely associated with his sense of the power of the men in blue. He had liked all police constables tenderly, with a guileless trustfulness. And he was pained. He was irritated, too, by a suspicion of duplicity in the members of the force. For Stevie was frank and as open as the day himself. What did they mean by pretending then? Unlike his sister, who put her trust in face values, he wished to go to the bottom of the matter. He carried on his inquiry by means of an angry challenge.

What for are they then, Winn? What are they for? Tell me.

Winnie disliked controversy. But fearing most a fit of black depression consequent on Stevie missing his mother very much at first, she did not altogether decline the discussion. Guiltless of all irony, she answered yet in a form which was not perhaps unnatural in the wife of Mr Verloc, Delegate of the Central Red Committee, personal friend of certain anarchists, and a votary of social revolution.

Don’t you know what the police are for, Stevie? They are there so that them as have nothing shouldn’t take anything away from them who have.

She avoided using the verb to steal, because it always made her brother uncomfortable. For Stevie was delicately honest. Certain simple principles had been instilled into him so anxiously (on account of his queerness) that the mere names of certain transgressions filled him with horror. He had been always easily impressed by speeches. He was impressed and startled now, and his intelligence was very alert.

What? he asked at once anxiously. Not even if they were hungry? Mustn’t they?

The two had paused in their walk.

Not if they were ever so, said Mrs Verloc, with the equanimity of a person untroubled by the problem of the distribution of wealth, and exploring the perspective of the roadway for an omnibus of the right colour. Certainly not. But what’s the use of talking about all that? You aren’t ever hungry.

Although it is plainly explained that Winnie is not really out to express a Machiavellian theory of the state, she has done so. Actually, many people from many otherwise very different ideologies would embrace this theory of what the State actually does; many anarchists (and not just left-wing anarchists) would insist that the State is at best unnecessary to all but those who would use to effect or to sustain an unjust distribution of economic power. But, in Stevie's case, in a matter of minutes he's invented state socialism, and then had his statism but not his socialism contradicted, and so heads down a path to left-wing anarchism. Someone else will later help him further down that path.


[1] The poor driver has taken his meager pay not home to his family, but to a pub. Earlier, it is revealed that a scrub-woman frequently plays upon Stevie's desire to help her and her family, only to spend on alcohol the money that he gives to her. Perhaps Conrad was inclined to believe that Work is the curse of the drinking classes. or perhaps he meant no more than to emphasize Stevie's gullibility. In any case, the interpretation is separable from what I seek principally to note.

[2] Note that Conrad has written Stevie as quite literally a slack-jawed fool.

Norman Rockwell's Americans

Monday, 13 December 2010

A confluence of events, including particularly a recent entry at Grantbridge Street, brought me to a new reälization about Norman Rockwell's great masterpiece,

The point has been thoroughly belabored that Rockwell's recurring theme was a vision of America. I want to draw attention to the specific that this vision of America isn't much of amber waves of grain or of redwoods; it is of people; his recurring theme was Americans — a sort of people — as he saw them. In image after image, Rockwell painted Americans. [image of burly female riveter] [image of returning soldier being greeted in tenement neighborhood] [image of police officer, small boy with bindle, and short-order cook at counter] It would be a mistake to say that these were Americans as Rockwell wished them to be. Rather, these are people as Rockwell conceptualized Americans. He does not generally make them pretty; they are apt to have craggy or slightly comical faces, to be noticeably scrawny or chubby rather than athletic in appearance. But there is an underlying idealization here. It is not one of place; to be an American is neither to be within nor to be from a region; the concept of American here is more akin to one of culture, but there's a better term for what it really is.

With his having made all of these images of Americans, to be painted by Rockwell was to be depicted as an American. When Rockwell painted Chaney, Goodman, and Schwerner, he painted three Americans. [image of Chaney, Goodman, and Schwerner, being murdered] Indeed, for Rockwell, these three must have been very American, because here to be an American is to embrace an ethos. Americanism is an ethos.

The viewer sees only the shadows of the killers. It could be argued that Rockwell didn't know how the killers looked, but he could have dressed them in white sheets. It could be noted that they seem more menacing in this way, and perhaps Rockwell wanted that effect. But the main reason that they are out-of-frame is because Rockwell painted Americans.

Unappealing Court Logick

Tuesday, 7 December 2010
Court weighs constitutionality of gay marriage ban by Paul Elias & Lisa Leff of the AP

The panel […] seemed worried about allowing the governor and attorney general to effectively kill Proposition 8 by refusing to defend it.

Note that the question here is not whether state officials are required to defend the law in the original hearing, but whether officials are permitted to accept the ruling of the lower court when that ruling rejects a measure. If officials are not permitted to accept such a ruling by a lower court as to the constitutionality of a measure, then one has to ask why these matters shouldn't as a rule go first to the Supreme Court.

Given the present court system, requiring state officials to exhaust their appeals in defense of a measure would creäte an asymmetry in favor of whatever measure had passed; laws would always have to be accepted as in accord with the constitution unless challengers had the resources to fight all the way to the Supreme Court. Beyond that, the residual function of the lower courts would be to allow appeals courts and the Supreme Court to moderate their work-loads by refusing to hear an appeal.

The question of whether supporters of Proposition 8 have standing to appeal the lower court ruling should turn not upon whether this were the only way to ensure that a law is fully defended, nor upon whether it is the only way that what may plausibly be their rights should be defended, but upon whether indeed it is at all plausible that their rights are at stake, regardless of whether state officials are doing anything to protect those rights. If a party were not given standing to defend its rights, on the grounds that state officials were providing such a defense, then state officials could erode those rights by providing a weak defense.

American Language

Monday, 1 November 2010

After one votes in California, one is offered a sticker announcing that one has done so. In my area, the stickers are typically available in English, in Spanish, and in Vietnamese. I ask for one in Vietnamese.

There are people who want English to be constitutionally declared to be the language of America; they are stunningly wrong.

Of most immediate importance, they are wrong because, whenever anything is made a matter of law, it is made a matter of force; behind any law is ultimately a gun. There are times for laws because there are times for force; there are times for guns. But language choice is not such a time. I have only contempt for someone who claims that there is a symmetry between being forced to speak the language of a merchant because he will not transact in another language and that merchant being forced by the state to transact in some other language, or official proceedings being legally restricted to a language utterly alien to important parties. (And my contempt extends to those who would force the use of minority languages, as well or instead of majority languages.)

Perhaps of even greater long-run importance, if a language is made an official language, the state is thereby empowered to determine whether this-or-that communication conforms to that language, which is to say that control of a language is seized by the state when the language is made official. The state develops the power to decide its grammar and its vocabulary.

America was given a foundation, however imperfect, of classical liberalism. It represents a gross violation of that foundation to tell people in what language they must express themselves, and a gross violation of that foundation to offer-up control of one of our languages to the state.

One of our languages. English is one of our languages; there are others. Any language spoken by an American is an American language. (And any name held by an American is an American name.) And there are people who don't know English who are far better Americans than those who would give that language a legally privileged position.

Not a Financial Crisis

Sunday, 3 October 2010

The self-styled SD Planning Committee, formed to fight cuts to state funding of education, health care, and social services, has posted flyers that declare

We face not a financial crisis, but a crisis of priorities,

I don't know why they end that with a comma, as it's followed by a sentence in which it cannot participate. In any case, it's a somewhat puffed-up way of saying that

There's plenty of money for the budget; it's just not being spent well.

Interesting concept, there, that there could be plenty of money in a budget, but that the money is not being well spent. They just might try applying that same concept to just those portions of the budget that are allocated to education, to health care, and to social services. Perhaps, even after cuts, there would be plenty of money, if only it were spent well. And perhaps even if funding to these programmes were increased to the greatest possible levels, it would be spent badly.

Okay, so there's no perhaps to it; that's just how it would be.


On the other hand, I have to grimace when I hear or read of linking teacher pay to performance.

I understand the desire to pay teachers based upon the quality of their teaching. And, outside of the teachers' unions, almost everyone understands that it's not a good thing to link teacher pay primarily (let alone directly) to years of service. But I'm pretty sure that real-world attempts to link teacher pay to ostensible measures of performance are going to increase

  • disincentives for teachers to accept jobs working with less able students,
  • incentives for teachers to teach to the tests by which student achievement is purportedly measured,
  • student time tied-up in taking those d_mn'd tests, which themselves teach nothing to students beyond test-taking skills.

A profoundly different model of education is needed to get something that will work.

A part of that model would be to use markets to price teaching, recognizing (amongst other things) that different teaching contexts correspond to different markets.

Unfortunately, another part of that model is for parents to accept a significantly greater degree of responsibility for ensuring that their children are properly educated. The vast majority of parents seem willing to pass the buck to state-funded schools, regardless of their performance. It isn't sufficient to say Hey, I sent my kid to school! The school dropped the ball, not me!

Muscle-Minded

Wednesday, 25 August 2010

There is no real agreement on how many muscles it takes to frown, nor on how many it takes to smile. But it takes none to be stupidly slack-jawed.

You'll find it on eBay!

Monday, 5 July 2010
Man fined over fake eBay auctions by Dan Whitworth of the BBC

eBay spokesperson Vanessa Canzenni denies that not enough is being done to prevent [shill-bidding].

[…]

[eBay user Rezza Faizee, having noted that shill-bidding were a significant problem, said] I honestly don't know what you can do to tackle the problem, I honestly don't.

Catching shill-bidders on eBay used to be one of my hobbies. I would regularly stumble-upon suspicious confluences, start examining auction and bidder histories, and from them often assemble proof that there had been shill-bidding, which proof I would then send to eBay and to the victims. I'm sure that I wasn't the only person engaging in this sort of detection.

But eBay began choking-off the data available to us. With decreasing information, it became ever harder to make the case. It became impossible even to see some of the confluences that would have triggered suspicion in the first place.

For an honest auction firm, there may be an optimal amount of shill-bidding to allow, simply because of enforcement costs. (A perfectly secure trading environment would be prohibitively expensive.) But for a dishonest firm the question is of balancing the gain that otherwise comes from allowing ending prices (and hence fees) to be thus increased, against the alienation of users who consequently reduce their spending. Access to information which both empowers volunteers to catch shill-bidders and alerts users more generally to the occurrence of shill-bidding is, as such, not in the perceived interest of a dishonest firm.

BTW, the changes that reduced our abilities to spot shill-bidders, and which made it more typically impossible for us to prove a case of shill-bidding (as well as other changes that enabled eBay to be more easily used by thieves) were primarily effected while Margaret Cushing (Meg) Whitman, now the Republican Party nominee for governor of California, was eBay's President and CEO.

Fatal Escape

Friday, 28 May 2010

To-day, when I was starting my shower, I saw what looked like a silverfish swirling around in the water. I don't want silverfish in my apartment, but didn't see any need for the thing to die, and the water hadn't been hot enough to kill it, so I held my hand over the drain, turned-off the water, and let what was in the tub drain slowly.

Sure enough, there was a water-logged silverfish. I grabbed a clean, empty bottle in which the silverfish could be held until I finished showering and dressing, and some bathroom tissue with which to pick-up the insect, as I could not pick it up with my bare fingers without crushing it.

I made the mistake of using dry tissue, which did not mold itself around the creature, and which wicked the remaining water off it, so that the thing was able to leap free…

…into the drain.

Well, I'd tried.

Everybody Draw Mohammed Day Is Here!

Wednesday, 19 May 2010

To-day, 20 May, is Everybody Draw Mohammed Day. I'm quite disappointed that its founder has retreated; I could not have withdrawn in good conscience, even though my contribution demonstrates that I am pretty poor at working in charcoal: [drawing of the head of a bearded man of Mediterranean stock]

Some people have chosen to draw caricatures, but my objective was simply to violate a grossly illegitimate prohibition. As such, I sought to draw Mohammed. If the death threats become more narrowly focussed on those who creäte caricatures, then I will creäte a caricature.

Somewhere in Chapter 3

Friday, 14 May 2010

After Adam had eaten of the fruit of the Tree, the dog did lick juice from the fruit, but from its flavor decided that the fruit was not food. And so the eyes of the dog were but little opened. The cat did merely sniff of the fruit, and then turned to other things.