The Hate Show24 February 2017
In George Orwell's novel 1984, people assembled each day for The Two Minute Hate. For two minutes, those gathered would feel and express their hatred of those whom they had been led to hate, by those whom they regarded as their guides. Orwell did not invent the idea of an interval or gathering for the purpose of hating. Such things are probably ancient, and were certainly called
hates earlier in the 20th Century. Orwell hypothesized the formal institutionalization of scheduled rallies whose sole purpose was for hating.
Such gatherings are now routine, normalized. Some take place on a national or international level, on weekly or even daily bases. Others are smaller or less frequent. People collect in theaters or around television sets, and they hate. But few observers or participants see these gatherings for what they are, because the hatred is packaged as
comedy. During these gatherings, there is very little in the way of clever violation of expectation, which is essential to intelligent comedy. Instead, there is ventilation — of disdain, of anger, of hatred, sometimes of fury — at those outside that group with whom the performers and audience identify. Treatment of hatred as comedy is not something new, but the acceptance of unacknowledged hatred as comedy has become commonplace. Gatherings for what most of us once would have called
comedy have been increasingly displaced; our comedy shows have been replaced by Hates. We have Thirty Minute Hates, Sixty Minute Hates, Ninety Minute Hates.
The institutionalization has largely been private, but it has had something degree of state sponsorship, as when President Obama grinned broadly in response to Wanda Sykes' expressed wish that the kidneys of Rush Limbaugh should fail, during the 2009 White House Correspondents Association Dinner.
When I last visited my parents, who willfully live in an ideological echo chamber, they made a point each week of sitting together and watching Full Frontal with Samantha Bee. They laughed at nothing; they smiled at nothing; because nothing on it was funny. Nor did it deliver any fresh insights. What it delivered was hatred. But that was apparently what my parents wanted — a Twenty One Minute Hate.