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	<title>An Œconomist</title>
	<atom:link href="http://www.oeconomist.com/blogs/daniel/?feed=rss2" rel="self" type="application/rss+xml" />
	<link>http://www.oeconomist.com/blogs/daniel</link>
	<description>Western Civilization Writ Small</description>
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		<title>Muscle-Minded</title>
		<link>http://www.oeconomist.com/blogs/daniel/?p=4022</link>
		<comments>http://www.oeconomist.com/blogs/daniel/?p=4022#comments</comments>
		<pubDate>Thu, 26 Aug 2010 05:36:36 +0000</pubDate>
		<dc:creator>Daniel</dc:creator>
				<category><![CDATA[commentary]]></category>
		<category><![CDATA[personal]]></category>
		<category><![CDATA[philosophy]]></category>
		<category><![CDATA[public]]></category>
		<category><![CDATA[bromides]]></category>
		<category><![CDATA[expressions]]></category>
		<category><![CDATA[facial expressions]]></category>
		<category><![CDATA[frowns]]></category>
		<category><![CDATA[peeves]]></category>
		<category><![CDATA[platitudes]]></category>
		<category><![CDATA[slogans]]></category>
		<category><![CDATA[smiles]]></category>

		<guid isPermaLink="false">http://www.oeconomist.com/blogs/daniel/?p=4022</guid>
		<description><![CDATA[There is no real agreement on how many muscles it takes to frown, nor on how many it takes to smile. But it takes none to be stupidly slack-jawed.]]></description>
			<content:encoded><![CDATA[<p>There is no real agreement on how many muscles it takes to frown, nor on how many it takes to smile.  But it takes <em>none</em> to be stupidly slack-jawed.</p>
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		<title>Romance noir</title>
		<link>http://www.oeconomist.com/blogs/daniel/?p=3956</link>
		<comments>http://www.oeconomist.com/blogs/daniel/?p=3956#comments</comments>
		<pubDate>Sat, 31 Jul 2010 13:46:37 +0000</pubDate>
		<dc:creator>Daniel</dc:creator>
				<category><![CDATA[art]]></category>
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		<category><![CDATA[communication]]></category>
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		<category><![CDATA[Clifton Webb]]></category>
		<category><![CDATA[Dana Andrews]]></category>
		<category><![CDATA[Darryl F. Zanuck]]></category>
		<category><![CDATA[Darryl Zanuck]]></category>
		<category><![CDATA[David Raksin]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[film noir]]></category>
		<category><![CDATA[Gene Tierney]]></category>
		<category><![CDATA[Johnny Mercer]]></category>
		<category><![CDATA[Laura]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Otto Preminger]]></category>
		<category><![CDATA[Vincent Price]]></category>

		<guid isPermaLink="false">http://www.oeconomist.com/blogs/daniel/?p=3956</guid>
		<description><![CDATA[A confluence of recent events provoked me to acquire and watch a copy of the Fox Film Noir DVD of Laura (1944) Included on the disc are some commentary from David Raksin (who scored the film), from film professor Jeanine Basinger, and from historian Rudy Behlmer. Some of these comments add real value, but I [...]]]></description>
			<content:encoded><![CDATA[<p>A confluence of recent events provoked me to acquire and watch a copy of the Fox Film Noir <abbr title="Digital VIdeo Disc">DVD</abbr> of <a href="http://www.imdb.com/title/tt0037008/"><cite>Laura</cite> (1944)</a> <a href="wp-content/uploads/2010/07/laura_portrait.jpg"><img src="wp-content/uploads/2010/07/laura_portrait_450x300.jpg" alt="[Still image showing portrait of Laura Hunt in background]" width="450" height="300" style="border: 0 ; display: block ; margin-top: 1em ; margin-bottom: 1em ; margin-left: auto ; margin-right: auto ;" /></a> Included on the disc are some commentary from <a href="http://www.imdb.com/name/nm0000710/">David Raksin</a> (who scored the film), from film professor Jeanine Basinger, and from historian Rudy Behlmer.  Some of these comments add real value, but I was unhappy about things that the commentaries missed, and am thus provoked to write this entry.</p>
<p>Most useful discussion of this film entails some spoilers, and will further presume familiarity with the film.  Behlmer strongly urges his listeners to have watched the film with its ordinary soundtrack before listening to his comments.  Similarly, I suggest that, if you haven&#8217;t watched <a href="http://www.imdb.com/title/tt0037008/"><cite>Laura</cite></a>, you stop reading this entry right after I give you just one piece of advice.</p>
<p>That advice is that, <em>while</em> you watch <a href="http://www.imdb.com/title/tt0037008/"><cite>Laura</cite></a>, you dismiss if you can the lyrics that Johnny Mercer later wrote for the theme melody, which impose a <em>new significance</em> to the melody that it wouldn&#8217;t have had when the film was first made and shown.  The melody actually figures within the story (at least in a minor way), and <em>within</em> the story is not <em>about</em> Laura. (By all means, recall and enjoy the Mercer lyrics <em>after</em> watching.)</p>
<hr width="25%" align="center"/>
<p style="text-align: center ;"><span style="font-weight: bolder ;">( <a href="?page_id=3841">Here Be Spoilers!</a> )</span></p>
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		<title>Book Dis&#183;Service</title>
		<link>http://www.oeconomist.com/blogs/daniel/?p=3829</link>
		<comments>http://www.oeconomist.com/blogs/daniel/?p=3829#comments</comments>
		<pubDate>Tue, 27 Jul 2010 11:52:00 +0000</pubDate>
		<dc:creator>Daniel</dc:creator>
				<category><![CDATA[commentary]]></category>
		<category><![CDATA[personal]]></category>
		<category><![CDATA[public]]></category>
		<category><![CDATA[AbeBooks]]></category>
		<category><![CDATA[AbeBooks.com]]></category>
		<category><![CDATA[AddAll]]></category>
		<category><![CDATA[AddAll.com]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[reviews]]></category>

		<guid isPermaLink="false">http://www.oeconomist.com/blogs/daniel/?p=3829</guid>
		<description><![CDATA[I want to discourage my readers from doing business through AbeBooks.com, which operates as a listing service of books for sale from a multitude of merchants. A friend recently ordered a book from one of these merchants through Abe. The merchant responded by declaring that the book had been sold to another buyer, but then [...]]]></description>
			<content:encoded><![CDATA[<p>I want to <em>discourage</em> my readers from doing business through <a href="http://www.abebooks.com">AbeBooks.com</a>, which operates as a listing service of books for sale from a multitude of merchants.</p>
<p>A friend recently ordered a book from one of these merchants through <a href="http://www.abebooks.com">Abe</a>.  The merchant responded by declaring that the book had been sold to another buyer, but then <em>relisting the copy with other services</em>, <em>at a higher price</em>.  In other words, he or she, upon receiving an order, decided not only <em>not</em> to honor the advertised price, but to <em>lie</em> about the situation.</p>
<p>My friend then contacted <a href="http://www.abebooks.com">AbeBooks.com</a> to complain, explaining exactly what the seller had done.  <a href="http://www.abebooks.com">Abe</a> responded with <em>irrelevant boiler-plate</em> about items that were no longer available. (The seller, for his or her part, responded with the irrelevant claim that he or she did not make money by <em>hoarding</em> books.)</p>
<p>When my friend again contacted <a href="http://www.abebooks.com">Abe</a>, the response was to <em>deny</em> that the book had been relisted.  They repeated this denial to me.  As my friend had made it <em>explicit</em> that the relisting had been with an alternate service, and had offered evidence, <a href="http://www.abebooks.com">Abe</a>&#8216;s response was at best with reckless disregard for the truth, if not simply a lie.  In the wake of having it re&iuml;terated that the listing was with other service and that evidence can be provided, <a href="http://www.abebooks.com">AbeBooks.com</a> has retreated into silence.</p>
<p>As I told <a href="http://www.abebooks.com">AbeBooks.com</a><br />
<blockquote>If you do not ensure honorable practice, then you are at best redundant amongst listing services.</p></blockquote>
<p> So far, for example, my experiences with <a href="http://www.alibris.com/">Alibris</a> have been fine, and there are other services as well.  If one finds a book listed with <a href="http://www.abebooks.com">AbeBooks.com</a>, there&#8217;s a good chance that the very same seller lists the very same item through some other service as well. (I recommend using <a href="http://www.addall.com">AddAll</a> at the outset of a book search.)</p>
<p><span style="font-weight: bolder ; font-variant: small-caps ;">Up-Date</span> (2010:07/29)<span style="font-weight: bolder ;">:</span> Yester-day, <a href="http://www.abebooks.com/">Abe</a> broke their silence to declare that there was nothing that they could do about such a relisting.  In fact, what they could have done is to de&middot;list the seller.  Evidently <a href="http://www.abebooks.com/">AbeBooks</a> is amongst those very many firms who treat it as an acceptable form of <em>lying</em> to misrepresent a <em>choice</em> as a <em>necessity</em>.</p>
<p><a href="http://www.abebooks.com/">Abe</a> did offer my friend a <em>coupon</em> for a 10% discount on a future order.  My friend couldn&#8217;t, with this coupon, secure a copy of the same book at the same net price as it had been  listed &mdash; it&#8217;s perhaps worth noting that the seller&#8217;s price increase had been more than <em>99</em>%.  And <a href="http://www.abebooks.com/">Abe</a> was simply tossing to my friend the same sort of promotional coupon that other buyers are given anyway.</p>
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		<title>Is he in hell?</title>
		<link>http://www.oeconomist.com/blogs/daniel/?p=3771</link>
		<comments>http://www.oeconomist.com/blogs/daniel/?p=3771#comments</comments>
		<pubDate>Sat, 17 Jul 2010 01:12:16 +0000</pubDate>
		<dc:creator>Daniel</dc:creator>
				<category><![CDATA[art]]></category>
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		<category><![CDATA[communication]]></category>
		<category><![CDATA[cinema]]></category>
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		<category><![CDATA[Leslie Howard]]></category>
		<category><![CDATA[Merle Oberon]]></category>
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		<category><![CDATA[Scarlet Pimpernel]]></category>
		<category><![CDATA[superheroes]]></category>

		<guid isPermaLink="false">http://www.oeconomist.com/blogs/daniel/?p=3771</guid>
		<description><![CDATA[I&#8217;m rather a fan of the Scarlet Pimpernel (1934), and the reasons are largely to be found within about 8 &#189; of its 97 minutes. I offer those 8 &#189; minutes here in a clip. The excerpt can be understood without being set-up; all the essentials can be inferred as one watches. So you may [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m rather a fan of <a href="http://www.imdb.com/title/tt0025748/"><cite>the Scarlet Pimpernel</cite> (1934)</a>, and the reasons are largely to be found within about 8 &#189; of its 97 minutes.  I offer those 8 &#189; minutes here in a clip.  The excerpt can be understood without being <em>set-up</em>; all the essentials can be inferred as one watches.  So you may want to skip ahead to watch the video.  But, for those of you more comfortable with more context, I&#8217;ll provide some:</p>
<p><span style="font-style: italic ;">La R&eacute;volution française</span> is cutting-off heads by scores daily. (There is some confusion in the movie over the year in which <span style="font-style: italic ;">la Terreur</span> began.)</p>
<p>Percy Blakeney had married Marguerite St. Just about a year earlier.  Some time after the marriage, he learned that Marguerite had been instrumental in bringing-about the execution of a French aristocrat and his family.  Not knowing that she had been <em>tricked</em> into providing the information that had led to that execution, Percy asked her about it.  Marguerite, given to impetuosity, did not explain, but angrily admitted that she had.  Percy began paying for the fact that he loved &mdash; that he <em>still</em> loved &mdash; Marguerite, by adopting the identity of <span style="font-style: italic ;">the Scarlet Pimpernel</span> (the red pimpernel being a wildflower) and forming a team, <span style="font-style: italic ;">the League of the Scarlet Pimpernel</span>, who enter France in disguise, to steal political prisoners from <span style="font-style: italic ;">la guillotine</span>.  The identity of the Scarlet Pimpernel is unknown to all but members of the League.  Blakeney further secures his secret &mdash; and pushes away his wife &mdash; by adopting the persona of a <em>fop</em>.</p>
<p>Marguerite&#8217;s brother, Armand, part of the League, has been taken prisoner in France.  Chauvelin, an agent of the French, has offered to surrender a key piece of evidence against Armand if she will reveal to Chauvelin the true identity of the Pimpernel.  Unaware that the Scarlet Pimpernel is Percy, she has done what she could.  Last night, she learned and reported to Chauvelin that the Scarlet Pimpernel would at mid-night be in the library of an estate where a party was being held.</p>
<p>When Chauvelin went to the library, Percy was there, pretending to sleep on a love-seat.  Chauvelin eyed him suspiciously, but then adopted a derisive expression.  Shortly after mid-night, Chauvelin himself briefly fell asleep, then awoke to find a mocking note from the Pimpernel, with Percy still apparently asleep.  Chauvelin glanced at Percy as if dismissively, and then left.  Percy arose, and wondered how Chauvelin had come to be there and whether his dismissal were sincere.</p>
<p>As the clip begins, Lord and Lady Blakeney are returning home.</p>
<div style="text-align: center ;"><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/O8yAFLecJxU&amp;hl=en_US&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/O8yAFLecJxU&amp;hl=en_US&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></div>
<p>There&#8217;s all kinds of things <em>right</em> with the scenes in this clip.</p>
<p>When Marguerite comes to speak with Percy, we see that his affectation of effeminacy is, as much as anything, a very bitter way of rejecting her.  Harry Stack Sullivan once wrote <q>Hate is love turned angry</q>, and when Marguerite says <q>You &#8230; hate me.</q> she&#8217;s not far from the truth.  However, Percy&#8217;s question in reply isn&#8217;t merely rhetorical; he truly wants to know why she denounced the Marquis de St. Cyr.  At the least Percy wants to see what sort of person she really is, but what he really wants is some <em>vindication</em> for her actions, so that his love for her will not have been &mdash; will not <em>be</em> &mdash; wrong.</p>
<p>After he hears her explanation of what really happened with respect to the Marquis and his family, there remains the issue of Marguerite&#8217;s trade with Chauvelin.  Note the <em>desperation</em> in Percy&#8217;s voice.  He doesn&#8217;t just need the information <span style="font-style: italic ;">qua</span> Scarlet Pimpernel; he wants to know whether, after all, she&#8217;s still done something dreadful.  He want to feel free to love her.  When he learns what she gave to Chauvelin (a report that the Pimpernel would be in the library at mid-night), Percy is almost ready to laugh aloud from relief.  And watch <a href="http://www.imdb.com/name/nm0001366/">Leslie Howard</a>&#8216;s left hand, as he raises it up, partly into frame, almost to his heart, his fingers flexing; his character wants to reach out and take hold of Marguerite.</p>
<p>When Marguerite says that the Pimpernel might be going to his death, and Percy says <q>Well, that&#8217;s all the fellow lives for</q>, he&#8217;s really now talking of how he <em>has</em> been living.  That demmed, elusive Pimpernel has not been in Heaven.  But now he&#8217;s climbing out of Hell.</p>
<p>The subsequent meaning of Percy&#8217;s body language is obvious to the audience.  The rest of their interaction is, of course, two people speaking of their love one for another, with one of them almost oblivious to what is being said, as she doesn&#8217;t recognize the relationship amongst referents.  <em>Almost</em> oblivious, but as Percy leaves the room, Marguerite knows that there&#8217;s something that she isn&#8217;t seeing clearly.</p>
<p>The principal reason that the story-telling in this clip stays with me is because it has a moment <img src="http://www.oeconomist.com/blogs/daniel/wp-content/uploads/2010/07/marguerite_1.jpg" alt="[Marguerite, suddenly re&auml;lizing who the Scarlet Pimpernel is]" width="450" height="345" style="border: 0 ; display: block ; margin-top: 1em ; margin-bottom: 1em ; margin-left: auto ; margin-right: auto ;" /> where pieces all <em>click</em> together in the mind of one of the characters, revealing something important.</p>
<p>For this sort of moment to <em>work</em>, it&#8217;s important that the character <em>not</em> have been positioned for the re&auml;lization before hand.  Rather than having some <em>twit</em> finally see something that he or she should have seen all along, the story needs to put that character in possession of a new datum (preferably no more than one) and then have the character&#8217;s mind move with fair intelligence towards the re&auml;lization.</p>
<p>I love the way that <a href="http://www.imdb.com/name/nm0643353/">Merle Oberon</a> presents Marguerite&#8217;s re&auml;ctions, all within a matter of <em>seconds</em>.  She questions her reasoning. <img src="http://www.oeconomist.com/blogs/daniel/wp-content/uploads/2010/07/marguerite_2.jpg" alt="[Marguerite, overtly re&auml;cting to the re&auml;lization]" width="450" height="345" style="border: 0 ; display: block ; margin-top: 1em ; margin-bottom: 1em ; margin-left: auto ; margin-right: auto ;" /> As she looks again at the painting, her mouth is asymmetrical as she moves towards laughter <img src="http://www.oeconomist.com/blogs/daniel/wp-content/uploads/2010/07/marguerite_3.jpg" alt="[Marguerite, almost laughing]" width="450" height="345" style="border: 0 ; display: block ; margin-top: 1em ; margin-bottom: 1em ; margin-left: auto ; margin-right: auto ;" /> at the deception Percy has effected.  But the joke is displaced in her mind and her expression moves towards a different, symmetric sort of smile <img src="http://www.oeconomist.com/blogs/daniel/wp-content/uploads/2010/07/marguerite_4.jpg" alt="[Marguerite, almost smiling]" width="450" height="345" style="border: 0 ; display: block ; margin-top: 1em ; margin-bottom: 1em ; margin-left: auto ; margin-right: auto ;" /> as she starts to think that <em>her</em> Percy is a better man than she had come to think him, and indeed a better man than she had thought him when they married.  She doesn&#8217;t get very far with that thought, as it hits her <img src="http://www.oeconomist.com/blogs/daniel/wp-content/uploads/2010/07/marguerite_5.jpg" alt="[Marguerite, seized with fear and with grief]" width="450" height="345" style="border: 0 ; display: block ; margin-top: 1em ; margin-bottom: 1em ; margin-left: auto ; margin-right: auto ;" /> that Percy has sailed off not only into danger but into danger that she has caused to be greatly increased.</p>
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		<title>Mighty Man of the Night</title>
		<link>http://www.oeconomist.com/blogs/daniel/?p=3759</link>
		<comments>http://www.oeconomist.com/blogs/daniel/?p=3759#comments</comments>
		<pubDate>Tue, 06 Jul 2010 14:10:14 +0000</pubDate>
		<dc:creator>Daniel</dc:creator>
				<category><![CDATA[art]]></category>
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		<category><![CDATA[everyday absurdity]]></category>
		<category><![CDATA[Gardner Fox]]></category>
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		<category><![CDATA[Starman]]></category>
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		<guid isPermaLink="false">http://www.oeconomist.com/blogs/daniel/?p=3759</guid>
		<description><![CDATA[Really, it&#8217;s a shame that Starman never made an appearance on The Superman/Aquaman Hour of Adventure, on Aquaman, on The Batman/Superman Hour, or on Super Friends.]]></description>
			<content:encoded><![CDATA[<p><a href="http://grantbridgestreet.blogspot.com/2010/07/starman-in-strange-case-of-luckless.html"><img src="wp-content/uploads/2010/07/starmanpj_450x233.gif" width="450" height="233" alt="[Ted Knight, disturbed in bed, takes off his pajamas under which he has his Starman costume]" style="border: 0 ; display: block ; margin-top: 1em ; margin-bottom: 1em ; margin-left: auto ; margin-right: auto ;" /></a>
<p>Really, it&#8217;s a shame that Starman never made an appearance on <a href="http://www.imdb.com/title/tt0231046/"><cite>The Superman/Aquaman Hour of Adventure</cite></a>, on <a href="http://www.imdb.com/title/tt0433278/"><cite>Aquaman</cite></a>, on <a href="http://www.imdb.com/title/tt0062544/"><cite>The Batman/Superman Hour</cite><cite></cite></a>, or on <a href="http://www.imdb.com/title/tt0069641/"><cite>Super Friends</cite></a>.</p>
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		<title>You&#039;ll find it on eBay!</title>
		<link>http://www.oeconomist.com/blogs/daniel/?p=3744</link>
		<comments>http://www.oeconomist.com/blogs/daniel/?p=3744#comments</comments>
		<pubDate>Mon, 05 Jul 2010 14:56:21 +0000</pubDate>
		<dc:creator>Daniel</dc:creator>
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		<category><![CDATA[Margaret Cushing Whitman]]></category>
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		<guid isPermaLink="false">http://www.oeconomist.com/blogs/daniel/?p=3744</guid>
		<description><![CDATA[Man fined over fake eBay auctions by Dan Whitworth of the BBC eBay spokesperson Vanessa Canzenni denies that not enough is being done to prevent &#91;shill-bidding&#93;. &#91;&#8230;&#93; &#91;eBay user Rezza Faizee, having noted that shill-bidding were a significant problem, said&#93; I honestly don&#8217;t know what you can do to tackle the problem, I honestly don&#8217;t. [...]]]></description>
			<content:encoded><![CDATA[<div style="margin: 1em ;"><a href="http://news.bbc.co.uk/newsbeat/hi/technology/newsid_10500000/newsid_10508900/10508913.stm"><q>Man fined over fake eBay auctions</q> by Dan Whitworth of the <abbr title="British Broadcasting Corporation" style="font-size: smaller ;">BBC</abbr></a><br />
<blockquote style="font-size: smaller ; margin-bottom: 0 ;">
<p>eBay spokesperson Vanessa Canzenni denies that not enough is being done to prevent <span style="font-style: italic ;">&#91;shill-bidding&#93;</span>.</p>
<p style="font-style: italic ;">&#91;&#8230;&#93;</p>
<p><span style="font-style: italic ;">&#91;eBay user Rezza Faizee, having noted that shill-bidding were a significant problem, said&#93;</span> <q>I honestly don&#8217;t know what you can do to tackle the problem, I honestly don&#8217;t.</q></p>
</blockquote>
</div>
<p>Catching shill-bidders on eBay used to be one of my hobbies.  I would regularly stumble-upon suspicious confluences, start examining auction and bidder histories, and from them often assemble <em>proof</em> that there had been shill-bidding, which proof I would then send to eBay and to the victims.  I&#8217;m sure that I wasn&#8217;t the only person engaging in this sort of detection.</p>
<p>But eBay began <em>choking-off</em> the data available to us.  With decreasing information, it became ever harder to make the case.  It became impossible even to see some of the confluences that would have triggered <em>suspicion</em> in the first place.</p>
<p>For an <em>honest</em> auction firm, there may be an optimal amount of shill-bidding to allow, simply because of enforcement costs. (A perfectly secure trading environment would be prohibitively expensive.) But for a <em>dishonest</em> firm the question is of balancing the gain that otherwise comes from allowing ending prices (and hence fees) to be thus increased, against the alienation of users who consequently reduce their spending.  Access to information which both empowers volunteers to catch shill-bidders and alerts users more generally to the occurrence of shill-bidding is, as such, not in the perceived interest of a dishonest firm.</p>
<p><abbr title="by the way">BTW</abbr>, the changes that reduced our abilities to spot shill-bidders, and which made it more typically impossible for us to prove a case of shill-bidding (as well as other changes that enabled eBay to be more easily used by thieves) were primarily effected while Margaret Cushing (<q>Meg</q>) Whitman, now the Republican Party nominee for governor of California, was eBay&#8217;s President and <abbr title="Chief Executive Officer">CEO</abbr>.</p>
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		<title>in the silence you don&#039;t know</title>
		<link>http://www.oeconomist.com/blogs/daniel/?p=3727</link>
		<comments>http://www.oeconomist.com/blogs/daniel/?p=3727#comments</comments>
		<pubDate>Mon, 05 Jul 2010 12:09:40 +0000</pubDate>
		<dc:creator>Daniel</dc:creator>
				<category><![CDATA[communication]]></category>
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		<description><![CDATA[Those of you who&#8217;ve followed this &#39;blog for a while might be wondering what happened to the paper that I started submitting to journals in mid-June of last year. Well, yeah; me too. As previously reported here, it was rejected by three journals as unsuitable to a general audience of economists, after being rejected by [...]]]></description>
			<content:encoded><![CDATA[<p>Those of you who&#8217;ve followed this &#39;blog for a while might be wondering what happened to <a href="http://www.praxiologic.com/economics/papers/CoinFlip.pdf">the paper that I started submitting to journals in mid-June of last year</a>.  Well, yeah; me too.</p>
<p>As previously reported here, <a href="http://www.praxiologic.com/economics/papers/CoinFlip.pdf">it</a> was rejected by three journals as unsuitable to a general audience of economists, after <a href="?p=1847">being rejected by one without any reason being given</a>.  As <a href="http://www.praxiologic.com/economics/papers/CoinFlip.pdf">it</a> was rejected for being too specialized by one journal, I would then submit <a href="http://www.praxiologic.com/economics/papers/CoinFlip.pdf">it</a> to a more specialized journal.  <a href="?p=2050">I submitted it to a fifth journal in early September.</a>  That process had to be repeated as their representative wanted me to purge the acknowledgments before the paper were passed-on to an editor (I&#8217;m not sure why someone there didn&#8217;t delete them from the <a href="http://www.latex-project.org/"><span style="letter-spacing: -1px ;">L<span style="vertical-align: top; font-size: smaller ;">A</span>&Tau;<span style="vertical-align: sub;">&Epsilon;</span>&Chi;</span></a> file that they&#8217;d had me submit, nor why their submission template provides for acknowledgments, with no guidelines on when <em>not</em> to include them), but <a href="http://www.praxiologic.com/economics/papers/CoinFlip.pdf">the paper</a> was then officially recorded as submitted on 8 September.  And I&#8217;ve been waiting since for a yea or for a nay.</p>
<p>They have an on-line site at which I can check on the status of <a href="http://www.praxiologic.com/economics/papers/CoinFlip.pdf">my paper</a>.  After a while, the site reported that an editor had been assigned; then, in early <em>January</em> that reviewers had been assigned.  Anthony suggested that perhaps they had had trouble finding reviewers who would be sufficiently comfortable with the <em>sort</em> of mathematics used.  In late <em>March</em> the status report was changed to say that reviewers were assigned at <em>that</em> time, as if perhaps one or more of the original reviewers had left without returning an evaluation.</p>
<p>This journal doesn&#8217;t really provide any guideline about querying them concerning the status of a submission.  A common guideline from economics journals (as some others) is to contact them if one hasn&#8217;t received any word after six months.  I couldn&#8217;t really claim that I&#8217;d not got <em>any</em> word for six months, but what I&#8217;d got surely didn&#8217;t seem informative.  Towards the end of June, after getting an opinion from Anthony, who said that I should  feel free to query them, I did.  The person whom I contacted said that, much as Anthony had suggested, there seemed to have been a problem finding reviewers, and that my query had been forwarded to the editor.</p>
<p>I&#8217;ve received nothing further.  So, I don&#8217;t really <em>know</em> the status of <a href="http://www.praxiologic.com/economics/papers/CoinFlip.pdf">my paper</a>.</p>
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		<title>Further Exploits</title>
		<link>http://www.oeconomist.com/blogs/daniel/?p=3686</link>
		<comments>http://www.oeconomist.com/blogs/daniel/?p=3686#comments</comments>
		<pubDate>Wed, 30 Jun 2010 15:17:21 +0000</pubDate>
		<dc:creator>Daniel</dc:creator>
				<category><![CDATA[art]]></category>
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		<guid isPermaLink="false">http://www.oeconomist.com/blogs/daniel/?p=3686</guid>
		<description><![CDATA[Craig Yoe&#8217;s book, Secret Identity, revealed that Joe Shuster, the original artist and co-cre&#228;tor of Superman, had during a low point in his life provided illustrations for a sado-masochistic series, Nights of Horror, and for three one-shot sado-masochistic fantasies, Rod Rule, Hollywood Detective, and Continental. I am therefore surprised that no one seems to have [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://secret-identity.net/">Craig Yoe&#8217;s book, <cite>Secret Identity</cite></a>, revealed that Joe Shuster, the original artist and co-cre&auml;tor of Superman, had during a low point in his life provided illustrations for a sado-masochistic series, <cite>Nights of Horror</cite>, and for three one-shot sado-masochistic fantasies, <cite>Rod Rule</cite>, <cite>Hollywood Detective</cite>, and <cite>Continental</cite>.  I am therefore surprised that no one seems to have reported on the artist for <cite>House of Tears</cite>, by Harold Kane.
<div><a href="wp-content/uploads/2010/06/House_of_Tears_cover.jpg"><img src="wp-content/uploads/2010/06/House_of_Tears_cover.jpg" width="244" height="360" alt="[cover of House of Tears; man on all fours, before woman in dominatrix outfit]" style="border: 0 ; display: block ; margin-top: 1em ; margin-bottom: 1em ; margin-left: auto ; margin-right: auto ;" /></a>
<div style="width: 450px ; margin-top: 0 ; margin-bottom: 0 ; margin-left: auto ; margin-right: auto ;"><a href="wp-content/uploads/2010/06/House_of_Tears_2.jpg"><img src="wp-content/uploads/2010/06/House_of_Tears_2_th.jpg" width="225" height="289" alt="[source image for cover of House of Tears; man on all fours, before woman in dominatrix outfit]" style="border: 0 ; vertical-align: middle ;" /></a><a href="wp-content/uploads/2010/06/House_of_Tears_3.jpg"><img src="wp-content/uploads/2010/06/House_of_Tears_3_th.jpg" width="225" height="286" alt="[image of legs of woman in high-heeled boots in foreground, man on all fours in background]" style="border: 0 ; vertical-align: middle ;" /></a><br /><a href="wp-content/uploads/2010/06/House_of_Tears_4.jpg"><img src="wp-content/uploads/2010/06/House_of_Tears_4_th.jpg" width="225" height="281" alt="[image of man kneeling before woman in dominatrix outfit with whip]" style="border: 0 ; vertical-align: middle ;" /></a><a href="wp-content/uploads/2010/06/House_of_Tears_5.jpg"><img src="wp-content/uploads/2010/06/House_of_Tears_5_th.jpg" width="225" height="304" alt="[image of hog-tied man]" style="border: 0 ; vertical-align: middle ;" /></a><br /><a href="wp-content/uploads/2010/06/House_of_Tears_6.jpg"><img src="wp-content/uploads/2010/06/House_of_Tears_6_th.jpg" width="225" height="290" alt="[image of woman in dominatrix outfit with whip, straddling woman in heels and skirt on all fours, with buttock exposed]" style="border: 0 ; vertical-align: middle ;" /></a><a href="wp-content/uploads/2010/06/House_of_Tears_7.jpg"><img src="wp-content/uploads/2010/06/House_of_Tears_7_th.jpg" width="225" height="290" alt="[image of man gagged and bound in kneeling position]" style="border: 0 ; vertical-align: middle ;" /></a><br /><a href="wp-content/uploads/2010/06/House_of_Tears_8.jpg"><img src="wp-content/uploads/2010/06/House_of_Tears_8_th.jpg" width="225" height="290" alt="[image of bound and ball-gagged standing woman in lingerie and heels]" style="border: 0 ; vertical-align: middle ;" /></a><a href="wp-content/uploads/2010/06/House_of_Tears_9.jpg"><img src="wp-content/uploads/2010/06/House_of_Tears_9_th.jpg" width="225" height="290" alt="[image of woman in maid's outfit, bound in kneeling position]" style="border: 0 ; vertical-align: middle ;" /></a></div>
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<p> I found those illustrations on the <abbr title="World-Wide">WW</abbr>Web this morning.  In some cases, they were creditted to Harold Kane; in others they were not creditted at all.  <a href="http://www.google.com/search?q=(%22harold+kane%22+|+%22house+of+tears%22)+(shuster+|+schuster)">A search of Google for pages containing both <q>Harold Kane</q> or <q>House of Tears</q> and <q>Shuster</q> or <q>Schuster</q></a> produced only false positives.</p>
<p>I don&#8217;t know whether <cite>House of Tears</cite> had further illustrations.  But, in any event, it seems that Shuster&#8217;s underground <span style="font-style: italic ;">oeuvre</span> is larger than previously recognized.</p>
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		<title>Rassenfosse Book-Plate</title>
		<link>http://www.oeconomist.com/blogs/daniel/?p=3668</link>
		<comments>http://www.oeconomist.com/blogs/daniel/?p=3668#comments</comments>
		<pubDate>Fri, 04 Jun 2010 14:20:02 +0000</pubDate>
		<dc:creator>Daniel</dc:creator>
				<category><![CDATA[art]]></category>
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		<category><![CDATA[Andre Louis Armand Rassenfosse]]></category>
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		<category><![CDATA[book-plate]]></category>
		<category><![CDATA[bookplate]]></category>
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		<category><![CDATA[ex libris]]></category>
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		<guid isPermaLink="false">http://www.oeconomist.com/blogs/daniel/?p=3668</guid>
		<description><![CDATA[A stereotype ex libris book-plate that I got to-day: This image is by Andre Louis Armand Rassenfosse (1862 &#8211; 1934). I&#8217;ve had an eye out for one of this particular design for quite a while.]]></description>
			<content:encoded><![CDATA[<p>A stereotype <q>ex libris</q> book-plate that I got to-day: <a href="http://www.oeconomist.com/blogs/daniel/wp-content/uploads/2010/06/rassenfosse_armand.jpg"><img src="http://www.oeconomist.com/blogs/daniel/wp-content/uploads/2010/06/rassenfosse_armand_th.jpg" alt="woman, wearing sandals but otherwise nude, reading book while sitting on plinth, between the front paws of a sphinx" width="447" height="468" style="border: 0 ; display: block ; margin-top: 1em ; margin-bottom: 1em ; margin-left: auto ; margin-right: auto ;" /></a> This image is by Andre Louis Armand Rassenfosse (1862 &ndash; 1934).  I&#8217;ve had an eye out for one of this particular design for quite a while.</p>
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		<title>Degenerate Matter</title>
		<link>http://www.oeconomist.com/blogs/daniel/?p=3655</link>
		<comments>http://www.oeconomist.com/blogs/daniel/?p=3655#comments</comments>
		<pubDate>Tue, 01 Jun 2010 17:35:20 +0000</pubDate>
		<dc:creator>Daniel</dc:creator>
				<category><![CDATA[commentary]]></category>
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		<guid isPermaLink="false">http://www.oeconomist.com/blogs/daniel/?p=3655</guid>
		<description><![CDATA[At Kingdom Kane (a &#39;blog focussed upon the art of Gil Kane), Mykal Banta has reproduced The Birth of the Atom. a story which contains what I have long regarded as an epitomal sequence of what I call comic-book science: As I noted to Mykal, a white dwarf star has a density of about 1 [...]]]></description>
			<content:encoded><![CDATA[<p>At <a href="http://www.kingdomkane.com/">Kingdom Kane (a &#39;blog focussed upon the art of Gil Kane)</a>, <a href="http://www.blogger.com/profile/12148489896145024134">Mykal Banta</a> has reproduced <a href="http://www.kingdomkane.com/2010/05/birth-of-atom.html"><q>The Birth of the Atom</q></a>. a story which contains what I have long regarded as an epitomal sequence of what I call <q>comic-book science</q>: <a href="wp-content/uploads/2010/06/cbsci_0.png"><img src="wp-content/uploads/2010/06/cbsci_0_th.png" alt="Ray Palmer leaps over a wall in pursuit of a meteor seen in the distance, about to hit the Earth." width="450" height="125" style="border: 0 ; display: block ; margin-top: 1em ; margin-bottom: 0.5em ; margin-left: auto ; margin-right: auto ;"/></a><a href="http://3.bp.blogspot.com/_iL6ciL0GqvY/TAM2HyPK0BI/AAAAAAAAOdc/OQJRWxaQ4MQ/s1600/BirthoftheAtom003.jpg"><img src="wp-content/uploads/2010/06/cbsci_1.png" alt="Ray Palmer excavates a meteor composed of about 1000 cu cm of degenerate matter from a white dwarf star, buried about two feet in the earth. 'So heavy-- I can hardly lift it!'" width="286" height="524" style="border: 0 ; display: block ; margin-top: 0.5em ; margin-bottom: 0.5em ; margin-left: 0 ; margin-right: auto ;"/></a><a href="http://3.bp.blogspot.com/_iL6ciL0GqvY/TAM2HyPK0BI/AAAAAAAAOdc/OQJRWxaQ4MQ/s1600/BirthoftheAtom003.jpg"><img src="wp-content/uploads/2010/06/cbsci_2.png" alt="Palmer, holding the meteor, looks at in amazement. 'Puff!'" width="235" height="523" style="border: 0 ; display: block ; margin-top: 0.5em ; margin-bottom: 0.5em ; margin-left: auto ; margin-right: auto ;"/></a><a href="http://3.bp.blogspot.com/_iL6ciL0GqvY/TAM2HyPK0BI/AAAAAAAAOdc/OQJRWxaQ4MQ/s1600/BirthoftheAtom003.jpg"><img src="wp-content/uploads/2010/06/cbsci_3.png" alt="Palmer carries the meteor back to his car. 'Puff!'" width="282" height="528" style="border: 0 ; display: block ; margin-top: 0.5em ; margin-bottom: 1em ; margin-left: auto ; margin-right: 0 ;"/></a></p>
<p><a href="https://www.blogger.com/comment.g?blogID=1445377550385585250&#038;postID=6471724752951604756">As I noted to Mykal</a>, a white dwarf star has a density of about 1 <em>million</em> grams per <abbr title="cubic centimeter">cc</abbr>, and the meteor appears to be about 1000 <abbr title="cubic centimeter">cc</abbr>, so the whole thing should mass at about 1 million kilograms.</p>
<p>It&#8217;s not apparent why 1 million kilograms should stay compressed into such a small volume.  In the case of a dwarf star itself, the gravitational mass of the star as a whole cre&auml;tes sufficient force, but this is just a fractional piece of such a star.  It ought to fly apart as a terrible burst of radiation.  But let&#8217;s assume that this somehow doesn&#8217;t happen, that the meteor just stays together in a nifty one-liter piece.</p>
<p>The meteor that cre&auml;ted Meteor Crater in Arizona was under 30,000 kilgrams.  Ray wouldn&#8217;t be excavating the meteor at all; he would have been killed by the shock waves from the impact.  Those who later <em>did</em> excavate the meteor wouldn&#8217;t find it buried just a couple of feet deep.</p>
<p>At the surface of the Earth (which itself masses about 5.97 &times; 10<sup>24</sup> kilograms), this meteor would weigh about 11 hundred tons, but Ray picks it up!  He subvocalizes a few puffs, but he manages to carry the thing back to his car!  Now-a-days, they don&#8217;t make cars that can carry 11 hundred tons.  I don&#8217;t think that any grad students can lift 11 hundred tons.  And, really, Ray ought to be sinking into the ground, as even if he has big feet and has both feet on the ground he is applying over 7000 <abbr title="kilopascal">kPa</abbr> of pressure to the soil.</p>
<p>It might be suggested that the meteor, while perhaps of material that were once compressed to a density of about 1 million grams per <abbr title="cubic centimeter">cc</abbr>, were subsequently <em>un</em>compressed, and that what Palmer recovered were only, say, 100 kilograms of material.  But I don&#8217;t know how, then, it would be recognizable as originating from a white dwarf star.  For example, the core of the sun compresses matter to a greater density than 100 grams per <abbr title="cubic centimeter">cc</abbr>.</p>
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